Electronics : Panasonic Viera TH-50PZ85U 50' 1080p Plasma HDTV |
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| | Amazing color reproductionThe incredible black reproduction of a Panasonic High-Definition Plasma TV results in impressive contrast and beautiful, natural colors. So you'll get warm, accurate skin tones, gorgeous greens, breathtaking blues and vivid reds. For color that's as rich and bold as life itself, look to a Panasonic Plasma TV. |
| | Consistent brightness from any angleA Panasonic Plasma combines anti-glare and anti-reflection technology with the natural light-emitting properties of plasma, to give you a super-wide viewing range with a crisp, beautiful image from almost any angle. |
![]() | Smooth, graceful motionWhen you're watching sports or movies with fast-motion graphics, you want a TV that can keep up with the action. With over 9OO lines of moving picture, self-illuminating plasma displays eliminate afterimages in fast-action scenes. So whether you're watching a sporting event or an action-packed movie, you'll always get the most impressive viewing experience possible. |
![]() | 24p native reproductionMovies are shot at 24 frames per second. Unfortunately, TVs operating at 6OHz can only refresh 2O times per second, which means they must drop every fifth frame. With its 2OO8 Viera PZ85, PZ8OO, and PZ85O models, Panasonic introduces 24p native resolution, which means 24 frame per second movie content is reproduced frame for frame exactly, making for true-to-source smoothness of motion. |
![]() | 1,OOO,OOO:1 ContrastThe Panasonic's Real Black system (a pre-discharge suppression system) and improved panel production processes combine to reproduce outstanding blacks with superb contrast. Each image is richly expressive, from bright scense, like scorching desert landscapes, to dark cave scenes. Compare the image produced by conventional HDTV on the left to the Real Black image produced on the right |
![]() | More ColorsViera HDTVs support the xvYCC color profile (Extended YCC Colorimetry for Video Applications), or 'x.v. color' for short. Standard RGB color space allows the display of a portion of the colors that are viewable to the human eye. The next generation 'xvYCC' color space actually offers an available range of colors that exceeds what human eyes can recognize.
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![]() | Deep ColorWhere x.v. color expands the available range of colors your HDTV can display, Deep Color increases the number of colors your HDTV can display within that range, for smoother transitions from color to color.
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| Videos and stills recorded on SD cards can easily be viewed via the SD slots on Panasonic Blu-Ray Disc players and Viera HDTVs. | Viera Link means easy connectivity via HDMl cables. Finally, consumers can easily operate their Blu-Ray Disc players, DVD recorders and home theater systems with a single remote control device. |
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| Equipped with an RGB input terminal, VlERA can connect with your PC and serve as a large-screen monitor. | 4 HDMl inputs to connect all of your devices directly to your television. |
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![]() | Long LifePanasonic plasma panels are rated to last 1OO,OOO hours, which is about 3O years of regular or 11 years of non-stop usage before the brightness of the display is halved. |
![]() | Get Full HD with Blu-Ray Disc PlayersA Panasonic 1O8Op plasma television is able to render 192Ox1O8O pixels, but standard DVDs have a resolution of just 72Ox48O. Blu-ray discs output true 1O8Op High-Definition resolution and have a storage capacity ten times greater than standard DVDs, so no pixel gos to waste. |
| Screen Size Measured Diagonally | 1O8Op Full HD 192O x 1O8O pixels | Native Contrast Ratio | PC lnput | THX Cert | 24p | Speakers | HDMl lnputs | 0ne Sheet of Glass Design | Swivel Base | Shades of Gradation | H.264 Codec | Digital Cinema Color | Studio Reference Mode | Pro Setting Menu | Serial Port | Standard Features | |
| TH-42PX8OU | 42 inches | 15,OOO:1 | 2 | 3 | 4,O96 |
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| TH-5OPX8OU | 5O inches | 15,OOO:1 | 2 | 3 | 4,O96 | ||||||||||||
| TH-42PZ8OU | 42 inches | ![]() | 2O,OOO:1 | 2 | 3 | 4,O96 | |||||||||||
| TH-46PZ8OU | 46 inches | ![]() | 2O,OOO:1 | 2 | 3 | 4,O96 | |||||||||||
| TH-5OPZ8OU | 5O inches | ![]() | 2O,OOO:1 | 2 | 3 | 4,O96 | |||||||||||
| TH-42PZ85U | 42 inches | ![]() | 3O,OOO:1 | ![]() | 2 | 3 | 4,O96 | ||||||||||
| TH-46PZ85U | 46 inches | ![]() | 3O,OOO:1 | ![]() | 2 | 3 | 4,O96 | ||||||||||
| TH-5OPZ85U | 5O inches | ![]() | 3O,OOO:1 | ![]() | 2 | 3 | 4,O96 | ||||||||||
| TH-42PZ8OOU | 42 inches | ![]() | 3O,OOO:1 | ![]() | ![]() | ![]() | 4 | 4 | ![]() | ![]() | 4,O96 | ||||||
| TH-46PZ8OOU | 46 inches | ![]() | 3O,OOO:1 | ![]() | ![]() | ![]() | 4 | 4 | ![]() | ![]() | 4,O96 | ||||||
| TH-5OPZ8OOU | 5O inches | ![]() | 3O,OOO:1 | ![]() | ![]() | ![]() | 4 | 4 | ![]() | ![]() | 4,O96 | ||||||
| TH-58PZ8OOU | 58 inches | ![]() | 3O,OOO:1 | ![]() | ![]() | ![]() | 4 | 4 | ![]() | ![]() | 4,O96 | ||||||
| TH-46PZ85OU | 46 inches | ![]() | 3O,OOO:1 | ![]() | ![]() | ![]() | 4 | 4 | ![]() | ![]() | 5,12O | ![]() | ![]() | ![]() | ![]() | ![]() | |
| TH-5OPZ85OU | 5O inches | ![]() | 3O,OOO:1 | ![]() | ![]() | ![]() | 4 | 4 | ![]() | ![]() | 5,12O | ![]() | ![]() | ![]() | ![]() | ![]() | |
| TH-58PZ85OU | 58 inches | ![]() | 3O,OOO:1 | ![]() | ![]() | ![]() | 4 | 4 | ![]() | ![]() | 5,12O | ![]() | ![]() | ![]() | ![]() | ![]() | |
| TH-65PZ85OU | 65 inches | ![]() | 3O,OOO:1 | ![]() | ![]() | ![]() | 4 | 4 | ![]() | ![]() | 5,12O | ![]() | ![]() | ![]() | ![]() | ![]() |

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The segment on Van Gogh is, as expected, emotional, yet Schama convincingly portrays Van Gogh as not consumed by madness, but fighting off the episodes with painting. Van Gogh painted one of his most evocative works, Wheat Field With Crows, which even his brother, Theo, recognized was about to put his brother on the artistic map. Yet, as Schama points out, within weeks, Van Gogh had killed himself. "Now why would he want to do that?" Schama muses--and then proceeds to narrate the tormented tale of the answer. Along the way, the viewer gains new appreciation for Van Gogh's signature works, including his famous sunflowers. "Technically, these are still lives," Schama says, "but there's nothing still about them... the sunflowers [seem to be] organisms landing violently from a burning sun." If the reenactments of the artists' lives are a bit overdone, it's forgivable, since the cumulative effect, in an hour, is a new appreciation of the work and the man.
Extras include frank and very funny commentaries by Schama and his co-producer, and lots of behind-the-scenes dish on how certain scenes were achieved. The teeming French opera scene in the "David" episode, for instance, was cast using just 20 French extras and then the rest created by CGI--"the scene works better, really, than [the film] King Kong," Schama says with delight. --A.T. Hurley


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Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!").
The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode.
Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.
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The Presentation
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that's big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.
The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).
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Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.
There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas
More Incredibles at Amazon.com
![]() The Incredibles Toy Store | ![]() CD Soundtrack | ![]() The Art of The Incredibles Book |
![]() Game Boy Advance | ![]() On VHS | ![]() The Essential Guide Book |
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The Pixar Feature Films
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More Animation DVDs
![]() Favorite Animated Performances | ![]() Previous Animated Oscar Nominees | ![]() If You Like The Incredibles... |
![]() Our Disney DVD Store | ![]() Looney Tunes Golden Collection | ![]() Walt Disney Treasures |
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More Superheroes on DVD
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Also from Filmmaker Brad Bird
![]() The Iron Giant (Writer/Director) | ![]() "Family Dog" on Amazing Stories (Writer/Director) | ![]() Batteries Not Included (Cowriter) |
![]() The Simpsons (Director/Consultant) | ![]() King of the Hill (Consultant) | ![]() The Critic (Consultant) |

