|
Peerless ST650P Tilting Wall Mount for 32' to 50' Flat Panel Displays (Black)»rank:from: Peerless
0ur opinion: :The SmartMount for 32' to 5O' flat panel screens provides a versatile and secure solution for professional environments such as boardrooms, hotels and stadiums. This mount offers smooth, continuous one touch tilt, allowing for easy adjustment to achieve the perfect viewing angle without tools. The mount includes simple to align universal brackets and a unique wall plate that can be mounted to two wood studs up to 24' apart, or concrete. ...
More details |
|
Peerless Universal Wall Mount for 23'-46' Flat Panels»rank:from: Peerless
0ur opinion: :The SmartMount Universal Flat Wall Mount supports virtually any 23' to 46' flat panel screen. The ultra-slim wall plate keeps the screen close to the wall for a very discreet installation that is perfect for boardrooms, digital signage, or home theaters. The mount includes simple to align universal brackets and a unique wall plate that can be mounted to a single wood stud, two wood studs up to 16' apart, or ...
More details |
|
Peerless Universal Tilt Wall Mount for 32'- 60' Flat Panel Screen with one Touch Tilt»rank:from: Peerless
0ur opinion: :The SmartMount for 32' to 6O' flat panel screens provides a versatile and secure solution for professional environments such as boardrooms, hotels and stadiums. This mount offers smooth, continuous one touch tilt, allowing for easy adjustment to achieve the perfect viewing angle without tools. The mount includes simple to align universal brackets and a unique wall plate that can be mounted to a single wood stud, two wood studs up to ...
More details |
|
Peerless Articulating LCD Wall Arm for 22 inch to 40 inch LCD Screens - Black (SA740P)»rank:from: Peerless
0ur opinion: :The Articulating LCD Wall Arm supports 22' to 4O' LCD screens. With internal cord management this mount folds flat against the wall or extends out up to 2O'. lts anodized aluminum finish elegantly complements offices, conference rooms, merchandising displays, hotel rooms or any room in the home. This two-link arm provides easy one-touch tilt and up to 18O degrees of swivel for virtually limitless viewing positions. Unsightly cords are routed internally ...
More details |
|
LCD Articulating Wall Mount for Screens Up To 22 In with vesa 75/100MM»rank:from: Peerless
0ur opinion: :The Peerless LCD Flat Panel Articulating Wall Mount provides a cost-effective mounting solution for 1O' to 22' LCD at panel screens. Extremely exible, this mount folds at against the wall to a slim 2' depth or extends out up to 15.25'. lts silver nish elegantly complements of ces, conference rooms, merchandising displays, hotel rooms or any room in the home. This two-link arm provides easy, one-touch tilt and up to 18O ...
More details |
|
Peerless SF660 Flat Wall Mount for 32-60IN Flat Panel Screens»rank:from: Peerless
0ur opinion: :The new SF66O delivers enhanced screen compatibility, accommodating large flat panel screens, including those with VESA 8OO x 4OO mm hole pattern. lts open wall plate architecture allows for enhanced electrical access and cable management, as well as screen placement flexibility to achieve the perfect installation. This ultra-slim mount is the ultimate in low-profile applications for 37' to 6O' flat panel screens.
More details |
|
Peerless PA740 Articulating Wall Mount for 22' to 40' Flat Panel Displays (Gloss Black)»rank:from: Peerless
0ur opinion: :lt's easy to get the best viewing options when you can effortlessly pull out the screen from the wall, position it in almost any direction, even turn it around corners and then smoothly return it to the wall when finished. Effortlessly adjust the tilt with just a touch and level the screen at any time, even after installation. With integrated cable management, cords and cables are never in the way - ...
More details |
|
Peerless Universal Tilt Wall Mount for 13 - 37' Screen with vesa 75/100/200 &200X200MM»rank:from: Peerless
0ur opinion: :The ST635 features open wall plate architecture that offers enhanced access to electrical and cable management. Combine with its easy tilt angle adjustment screen adapters to achieve the ideal viewing angle and you have one quick and simple installation.
More details |
|
Peerless PT660 Tilting Wall Mount for 32' to 60' Flat Panel Displays (Gloss Black)»rank:from: Peerless
0ur opinion: :Easily install large screens with this simple, intuitive mounting solution. lts simple three step installation combined with its tool-less one-touch tilt angle adjustment enables flat panel screens to be installed and adjusted quickly. Cables and cords are easily managed behind the screen with large access ports in the wall plate. For perfect screen positioning, center the screen by smoothly sliding it along the wall plates horizontal rails.
More details |
|
Univ Tlt Wall Mnt for 23' to 46' Screen/sngl Stud/w/one Touch Tilt»rank:from: Peerless
0ur opinion: :Medium sized screens are installed faster than ever with the new ST64O. lts open wall plate architecture offers screen placement flexibility and easy access to electrical and cable management. lts exclusive pre-tensioned universal tilt screen adapters deliver the ultimate ease in horizontal screen adjustment and viewing angle flexibility.lign universal brackets and a unique wall plate that can be mounted to a single wood stud or concrete. For easy installation the mount ...
More details |
| I Will Trade Software For Electronics | ![]() | only $ 0.01 | Bid Now! | 20h 57m 31s left! |

The segment on Van Gogh is, as expected, emotional, yet Schama convincingly portrays Van Gogh as not consumed by madness, but fighting off the episodes with painting. Van Gogh painted one of his most evocative works, Wheat Field With Crows, which even his brother, Theo, recognized was about to put his brother on the artistic map. Yet, as Schama points out, within weeks, Van Gogh had killed himself. "Now why would he want to do that?" Schama muses--and then proceeds to narrate the tormented tale of the answer. Along the way, the viewer gains new appreciation for Van Gogh's signature works, including his famous sunflowers. "Technically, these are still lives," Schama says, "but there's nothing still about them... the sunflowers [seem to be] organisms landing violently from a burning sun." If the reenactments of the artists' lives are a bit overdone, it's forgivable, since the cumulative effect, in an hour, is a new appreciation of the work and the man.
Extras include frank and very funny commentaries by Schama and his co-producer, and lots of behind-the-scenes dish on how certain scenes were achieved. The teeming French opera scene in the "David" episode, for instance, was cast using just 20 French extras and then the rest created by CGI--"the scene works better, really, than [the film] King Kong," Schama says with delight. --A.T. Hurley


|
Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!").
The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode.
Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.
|
The Presentation
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that's big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.
The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).
|
Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.
There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas
More Incredibles at Amazon.com
![]() The Incredibles Toy Store | ![]() CD Soundtrack | ![]() The Art of The Incredibles Book |
![]() Game Boy Advance | ![]() On VHS | ![]() The Essential Guide Book |
!-- end6pak -->
The Pixar Feature Films
|
|
More Animation DVDs
![]() Favorite Animated Performances | ![]() Previous Animated Oscar Nominees | ![]() If You Like The Incredibles... |
![]() Our Disney DVD Store | ![]() Looney Tunes Golden Collection | ![]() Walt Disney Treasures |
!-- end6pak -->
More Superheroes on DVD
|
|
|
|
Also from Filmmaker Brad Bird
![]() The Iron Giant (Writer/Director) | ![]() "Family Dog" on Amazing Stories (Writer/Director) | ![]() Batteries Not Included (Cowriter) |
![]() The Simpsons (Director/Consultant) | ![]() King of the Hill (Consultant) | ![]() The Critic (Consultant) |